The dating of rock art a critique amy erbacher dating
While the value, validity and practical application of specific methods employed in individual chapters varies, the challenge to past research makes for an interesting read and presents the reader with a well-rounded view of the way rock art studies are currently directed.
Methods aside, a number of broader themes are evident within the book.
A striking feature of the methodologies presented within the volume is the number of chapters which incorporate an informed critique of current archaeological models.
Through revisiting such topics as the origins and development of Paleolithic art, the colonization of the Pacific, the relationship between ‘styles’ and dating, and the application of shamanistic interpretations of rock art, many of the papers resurrect old ideas in new ways and address ongoing debates through more contemporary perspectives.
The rediscovery of the original mural after more than a century has shown that Bradshaw had a remarkable gift for reproduction without photography, and that Davidson’s criticisms were unfounded in the absence of the original.
However, attention to the Bradshaw art was sporadic.
Several researchers who encountered the Bradshaw-type of paintings during expeditions to the region were members of the 1938 Frobenius Institute expedition.
The first thing I noticed about this beautifully presented book is the subtitle.Bradshaw recognised that this style of painting was unique when compared to the Wandjina style.In a subsequent address to the Victorian branch of the Royal Geographical Society, he commented on the fine detail, the colours, such as brown, yellow and pale blue, and he compared it aesthetically to that of Ancient Egypt.Using a light sensitive method called optically-stimulated luminescence, which was applied to the sand grains found within mud wasp nests, researchers were able to date when the artwork was created.Geochronologist Kira Westaway from Macquarie University said mud wasps stuck to many of the art motifs and became fossilised over time, creating a type of time capsule; artists painted the images before the mud wasp constructed its nest.
This book, in a comprehensive survey, presents the full gamut of the state's impressive open-air art from its earliest beginnings until more recent manifestations in the historic era.